Many professionals used to use Camera Raw only for critical images, because dealing with these take time and a lot of space on a camera’s memory card. How much? Take a look at my comparisons on left: CR2 is the Camera Raw format for Canon. But often they look uglier until pulled into an image editor such as Photoshop and “processed” into a form you can use. Images obtained in Raw contain every pixel of sensor data unmassaged by software.
But it is standard on Digital Single Lens Reflex (DSLR) cameras and many hybrids. The second format, Camera Raw, often is not available on compact or smartphone cameras. These cameras automatically process the raw data provided by a sensor to produce and image that’s smaller (because it is a “lossy” format that throws out pixels), color-corrected, sharpened, and looks pretty good right out of the camera. The first, JPG format, is standard domain of compact, or point-and-shoot cameras for casual snapshots. Most photographers are aware that DSLR and other digital cameras can record images in basically two ways.
Tutorial Two(b): an alternative workflow for photojournalists Bridge and Camera Raw (Adobe Photoshop CS6 for Macintosh)īy Ross Collins, North Dakota State University, Fargo Camera RAW Photoshop Tutorial 2(b): Camera Raw and Bridge Go back to Ross Collins Class Resources.
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